Two weeks ago, Singapore’s Media Development Authority announced that they had banned public screenings of Tan Pin Pin’s film “To Singapore, with Love.” The film brings together interviews from political exiles and dissidents who have chosen to leave Singapore because they face perceived or real threats of state persecution. The MDA banned it for undermining “national security,” and claimed that the exiles had lied about the circumstances under which they had left. But it also mentioned (seemingly as an afterthought) that private screenings were permissible, and later, that the ban didn’t apply to screenings of the film for purely educational purposes.
While it has become clear that more and more Singaporeans are going to watch the film at events overseas (including over 350 at a screening in Johor Bahru, just across the border in Malaysia), Tan Pin Pin hasn’t agreed to any Singapore screenings, educational or otherwise. She’s specifically come out to say that she was not consulted by Yale-NUS about including the film in one of their classes. Given that till now the film has not been released anywhere for commercial distribution, there aren’t any bootleg copies from which people can organise private screenings. In short, Ms Tan has ensured that as long as the public ban stands, “To Singapore, with Love,” will not be shown in Singapore in any context. In my view this restriction on her part is absolutely appropriate—something I’ll argue in the rest of the piece.